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Lifelong vegan, Joaquin Phoenix is an award nominated actor with a distinguished career that includes films like, GLADIATOR, SIGNS, and WALK THE LINE. "I was particularly impressed," says writer/director Shaun Monson, "with the manner in which Joaquin delivered his narration for the film. And I didn't really comprehend what he was up to until I was in the editing room many months later. Each time we recorded narration, which actually took a couple of years, Joaquin opted to read in a calculatedly matter-of-fact tone. This is brilliant because he was allowing for the facts and statistics alone to convey the subject matters' complicated emotions, their depth and severity." Phoenix and director Shaun Monson met in July of 2001, where they recorded the first session of narration for EARTHLINGS at the Peninsula Hotel in Santa Monica. In October of that year, the two met in Philadelphia, where Joaquin was shooting the sci-fi thriller SIGNS, to record additional narration for the film. The following year, in August of 2002, the two met again in New York to record some final pieces of dialogs. In April of 2004, unbeknownst to the audience, Joaquin attended a screening of EARTHLINGS at the Egyptian theater in Hollywood. He also attended a screening in January of 2005 at the Creative Artists Agency in Beverly Hills. Despite a rather busy film career, Joaquin continues to support EARTHLINGS today. In September 2005 he attended the film's San Diego Film Festival premiere, where he was also honored with their Humanitarian Award for his work on EARTHLINGS.
MOBY, Soundtrack Moby met director Shaun Monson at The Grove in West Hollywood in 2003. At the time, EARTHLINGS featured a classical "temp-track," but the filmmakers were unable to later secure worldwide music rights. So in the fall of 2004, producer Libra Max approached Moby about the use of his music in EARTHLINGS. When Moby learned the documentary was about animal welfare, he said, "I will be honored to have my music in such a film." The artist went on to provide no less than 16 different tracks to EARTHLINGS, making up more than two-thirds of the film's overall score. Thank you, Moby!
BABAK CYRUS RAZI, Executive Producer
MAGGIE Q, Co-Producer
BRET
PERSIA WHITE, Co-Producer
LIBRA MAX, Executive Producer, Music Supervisor
Libra Max became involved with EARTHLINGS in the winter of 2004, and was the primary force in getting Moby involved with the film's soundtrack. She is a devoted animal activist and life-long vegan.
DAVID & SEAN AMATO, Associate Producers
The Amato brothers have been friends with Shaun since the 4th grade, and have shown support for one another ever since. In 2004, Sean (left photo) and David (right photo) decided to help complete EARTHLINGS by coming on board as Associate Producers.
JEFFREY DAVID SINCLAIR, Associate Producer
Jeff and Shaun were introduced through fellow Associate Producer Sean Amato in the spring of 2005. Jeffrey and business partner Linda Sparling had just seen EARTHLINGS and immediately got involved in marketing the film.
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Critically acclaimed platinum artist, and outspoken animal rights activist, Richard Melville Hall (aka Moby), is one of the most recognizable figures in techno music and purveyors of electronica-pop. His albums include 1995's EVERYTHING IS WRONG, the appropriately titled ANIMAL RIGHTS (1996), I LIKE TO SCORE (1997), the enormously popular 1999 album PLAY (which made Moby a genuine breakout pop star), followed by 18 (in 2002), the beautifully eclectic HOTEL, (2005) and most recently LAST NIGHT (2008).








